Exhibitions

Dani Karavan |1930-2021| translated his artistic language without losing his roots and created a dialogue between his works and the Japanese place and experience. Three central works, in terms of their scope and level of conservation, are located along the length of Japan, on three different islands: On the northern island of Hokkaido, the "The Way to the Hidden Garden" is located in a sculpture forest on the outskirts of Sapporo; on the main island of Honshu, in Nara Prefecture, is the Murou Art Forest; and on the southern island of Kyushu, where the work "Bereshit" stands. This exhibition focuses on these three works.
Dani Karavan‘s environmental art includes the elements of experience, reaction, and the connection between it and the visitor. The visitor is not an external factor, a stranger, but must move within the work to experience it, and the work is not complete without the visitor. Already at first glance, the works invite the visitor to discover them from within. The three works are "site-specific", and any attempt to move them elsewhere will remove them from their unique context to the local history and geography. In the three works there is a discourse between the parts of the work, near or far, and they are a complete work only taken together as a whole.

Comic drawings (in Japanese: manga or kyoga) have a long history in Japan, dating back to the religious sphere as early as the 8th century. The drawings were secularized and appeared in the Edo period, from the 17th through the mid-19th centuries, as humorous depictions without religious context.
The collection of works displayed here was created by three artists from the Utagawa school, which is considered one of the leading schools of ukiyo-e ("Pictures from the Floating World"). This genre depicts, in paintings and prints, the popular culture of the period. These works reflect the comic aspect of everyday scenes of human life and its ability to help deal with the difficulties of life. Some focus on facial expressions and others on situations that bring a smile to the face of the viewer. The three artists, Toyokuni, Hiroshige and Kuniyoshi, used to sign their works with a special signature meaning "caricature by the artist". The humor shown here crosses cultures and times and serves as a connecting thread between the daily lives of the people of the past in Japan and our lives in the present.

Yasuhiro Suzuki | b. 1979 | is an artist designer. Suzuki does not meet the conventional definition of a designer because his creations are not limited only to aesthetic and useful products. His designs improve our quality of life, thanks to the encounter between them and the environment in which we live.
In a scientific approach interwoven with fine humor, Suzuki expresses his inner world and the way he looks at and experiences the world and the environment. Everyday experiences of joy and fear take center stage in his works. With great talent, Suzuki disassociates objects from their daily and familiar use, and gives them a new identity. Thus, cabbage leaves turn into a bowl, a gun shoots eyedrops and a tree’s leaves are replaced with eyes. Suzuki blurs the line between humans and nature – nature appears in the human body and Man is assimilated into nature.
Illustrations, seemingly simple, are an integral part of his creative process, and through them Suzuki reveals the mechanism of his thoughts. The explanations that accompany the exhibits were written by the artist. The exhibition makes accessible product, illustration, and text, the three dimensions in which the artist deals.

The exhibition "Time Tunnel - Japan and the Jews" marks 70 years of diplomatic relations between Japan and Israel. The exhibition focuses on the meeting point between Japan and the Jews through works of art by Japanese artists that relate to the Jewish narrative of rescue and extermination. The rescue story is based on the humane gesture of the Japanese Vice-Consul in Kaunas, Lithuania, Chiune Sugihara, who, in the summer of 1940, issued over two thousand visas to Japan. In this way, Sugihara saved more than six thousand Jews. Alongside the video installation by SHIMURAbros, rare photographs from 1941 of the Tampei Photography Group are displayed, including photographs of the refugees who came to Japan.